CD1

The compilation opens with “Pain Inside”, first released on “Pain Remixes”. It reflects psychological pain – sadness, depression, and the many forms of internal suffering.
The second track, “The Last Chapter”, appeared in early form during Leonard Wong’s fashion show in Shanghai. Now fully realized, it closes the fifteen year story of the project in its final, definitive shape.
Track three, It, is a legendary piece from the first EP, portraying a nameless, unique, lonely, and dangerous form of life.
The fourth track is Ancient Methods monstrous offbeat remix from the “Pain Remixes” album.
Track five, “Mankind Is Disease”, finally finds its place here. First used live in 2018 and refined until the very end, it reflects the state of the world: environmental destruction, disregard for nature, war, dehumanization, genocide in the name of religion, and conspiracy madness turned truth. All of this forged its sound.
Track six, “Schinder” (“executioner” in German), tells of humanity’s capacity for cruelty – torture, machines of suffering, mass annihilation. Each percussive strike lands like the cold, repetitive blow of an executioner. Released on the “Pain” EP in 2013.
Track seven, “Radioactive Shit”, has appeared in live sets since 2015. It was created during Dominik Müller’s radioiodine therapy – days spent in isolation behind lead‑lined walls with only portable music equipment, where even the smallest traces of daily life became radioactive.
Track eight, “Cold Knife”, first used for AyaBambi’s performance at a Tokyo fashion show and later released on the “Unctuous” EP. Tells the story of a blade: cold, sharp, silent as it enters flesh. The remastered version reveals new facets of this simple yet devastating tool.
Track nine, “Judas Cradle”, evokes the medieval torture device – a slow, agonising descent into fear and pain, expressed through an industrialesque, suffocating sound. Released on the “Pain” EP.
Track ten is Dominik Müller’s own live-performance version, this remix is transforming the original track into a mechanical, reverberating technoid structure.
Track eleven closes the first disc: Orphx’s remix of “Judas Cradle”, first released on “Pain Remixes”, bringing atmosphere, space, and an almost documentary perspective on the torture chamber – the muffled moans behind a wooden door.

CD2

The second disc opens with “Be Aware”, first heard at Leonard Wong’s fashion show in Shanghai and later released on “Furanum Records15th Anniversary” compilation. It warns of a collapsing, polluted world and the arrival of a darker era.
Track thirteen, “Unctuous”, the title track of the 2018 EP, first appeared at a Tokyo fashion show and was later released with a striking video by Inside Flesh. It evokes an oily, greasy creature emerging from the deepest industrial basements – the anointed, the unctuous.
Track fourteen, “Metzgers Tochter” (“the butcher’s daughter”), tells the story of a girl hardened, hardcore‑ish, and spoiled from the roots. Released on the “Unctuous” EP. Track fifteen, “Dirty Minds”, from the “Pain” EP, explores the universal human tendency toward hidden, twisted thoughts.
Track sixteen is the explosive, driving Exium remix of “Dirty Minds”, from the “Pain Remixes” album.
Track seventeen, “Gleiwitz”, finally completed, became a devastating finale in the last Uncto performances – a heavy bombardment of sound that left audiences screaming and overwhelmed. Named after the historic Upper Silesian city, both beautiful and deeply industrial.
Track eighteen, “Trust No One”, newly remastered from the “Unctuous” EP, is both a warning and a statement: human nature lies, religion lies, politicians lie. Beneath all this is a truth that should not remain hidden.
Track nineteen, “Psycho”, follows the previous themes. Every fourth human is said to show psychopathic traits – torture, lies, murder, destruction often stem from this part of humanity.
Track twenty, “Leaving Towards Another Dimension”, previously released on FLUX Musical Art on compilation “Connections Part II”, expresses the beautiful sensation of departing toward another realm – perhaps better, perhaps illusory.
Before the compilation ends, a powerful remix of “Schinder’ by French electronic artist Mondkopf appears as track twenty‑one, previously released on “Pain Remixes”.
Finally, track twenty‑two, “Pain Outside”, closes the entire story. It reflects pain inflicted on
the body – perhaps less devastating than internal pain, perhaps pleasurable, perhaps fatal.